New book, The Good Prison, featuring Good Vibrations

Gerard Lemos, a highly respected author, prison policy expert and Co-Director of social policy thinktank Lemos & Crane, has a new book out, The Good Prison.

In it he argues that conscience, formed by family relationships and reinforced through community life, is vital to enable “offenders” to move on to more constructive lives and that prison’s crucial role is to help prisoners change how they see themselves: simply training for employment will never be enough.

The book includes a study of Good Vibrations.  Gerard sees our work as an “implausible activity” yet “a powerful therapeutic intervention”. He describes his visit to see Good Vibrations in action at HMP Dartmoor, including talking to some of the participants :

“They mentioned the sense of achievement, benefits to their self esteem, how they felt less stressed when they returned to the cell.  But, above all, they returned time and again to the benefits or listening and working together.  These are two qualities not readily associated with prison life, but essential qualities for life on the outside, in particular in the modern workplace”.

He concludes that unlike so much in prison life:

“a gamelan workshop contains no stigma, no label, just the suggestion of creativity, originality…. and that is isn very short supply among the routines and mundanities of prison life.  The positioning of the gamelan workshop also focuses on capabilities, rather than deficiencies.”

Listen to a radio programme produced by and featuring Good Vibrations participants at Whatton Prison

This short “radio programme” was produced by and features interviews with participants in Good Vibrations projects at Whatton Prison.  This programme was produced in-house at the prison and presented at the Sharing Good Vibrations conference in October 2013.  Grateful thanks to Steve Turner, Head of Reducing Reoffending at Whatton, plus all the guys involved in the programme.  We are excited to be running more Good Vibrations courses at the prison during the year ahead.

Her Majesty’s Chief Inspector of Prisons, Nick Hardwick’s, speech at Sharing Good Vibrations now online

Her Majesty’s Chief Inspector of Prisons, Nick Hardwick, gave one of the keynote speeches at October’s Sharing Good Vibrations event.  His speech is online here.  In his speech Nick said:

“Having now seen Gamelan workshops in prisons, talked to the workshop leaders, read the academic evaluations and tried it myself, I think the case for the value of Good Vibrations’ work in prisons and the importance of Cathy’s inspiration is made.  And more than that, through my inspections, I see the value of the arts in every prison I go to. “

He quoted Tolstoy on art:

“a means of union among men [and women], joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.”

adding “I think is a pretty good definition of the rehabilitation we all aspire to”

He explored the reasons why it’s so difficult to get arts projects off the ground in prisons, concluding:

“In a nutshell, like the Victorians, we are in an age where the prevailing view seems to be that rehabilitation can be achieved by the exact application of pseudo-scientific processes and what matters is what can be measured. Of course the processes we want to apply are different but the mindset appears not so dissimilar.

“And that is a real problem for arts projects. By their nature they are difficult to measure, their impact is harder to describe.  But in a world of benchmarking and measurable outcomes, will there still be the time for a tutor to use art to get through to a troubled boy nobody else could reach?  How do you measure the value of the increase in self-esteem in a bunch of women enjoying a Gamelan course? How do you describe the benefits for the safety of a prison when a group of serious offenders enjoy themselves and communicate together in a comedy school project?”

Nick went on to quote  from a speech by Churchill, when  he was Home Secretary, about treatment of prisoners, including the line:

“there is a treasure, if you can only find it, in the heart of every man.”

Nick finished by asking:

“How to find it? that is the question.

“I do not believe you can find it just through offender management programmes and risk assessments. I think for prisoners, like the rest of us, art can unlock the treasures within. You all know the impact a painting, some music, a play can have on you, as audience or participant. Prisoners need the same.”

 

Short film documenting the Sharing Good Vibrations event

 Happy New Year to all Good Vibrations friends and supporters!  Here’s a really brilliant short film about the Sharing Good Vibrations event in October.  Thanks to But We Blew It Productions for doing such a great job documenting the event.  A major job, as the event, involving over 200 people, lasted four days (mornings, afternoons, evenings) with nearly 60 sessions in all.

Fantastic performance at Koestler Opening Day!

A group of 15 of us – past Good Vibrations participants from various different projects in prisons, probation and with NEET young people, plus some Good Vibrations team members and a couple of willing volunters who’d NEVER played gamelan before – spent 1.5 hours working together, using the Good Vibrations approach, to create a short set of 3 pieces from scratch, which we then performed in front of a large and appreciative audience at the Koestler Exhibition Opening Day at the Southbank!  (picture Brian Benson/Koestler Trust)

Sharing Good Vibrations – celebrating 10 years of Good Vibrations, at the Southbank Centre from Thursday 17 October – Sunday 20 October 2013.

Join us for four days of workshops, presentations, debates and performances as we highlight the creative, important and inspiring work done with gamelan (and other artforms) in criminal justice and the community.
Over the four days of events we will be exploring three main themes:
• The psychological and social benefits of gamelan and other artforms.
• The realities and challenges of running arts projects in criminal-justice settings.
• The practicalities of facilitating gamelan workshops and other arts with challenging client groups, and celebrating the art created.

The event is of benefit to anybody interested in the role of arts in reducing reoffending and in generating wider social benefits, for example:
• prison governors
• prison staff responsible for organising arts activities
• prison education providers
• those working in secure hospitals and other secure settings
• probation and YOI services

Confirmed speakers include:
• Nick Hardwick (Chief Inspector of Prisons)
• Michael Spurr (Chief Executive of the Prison Service)
• Professor Alison Liebling (Cambridge University’s Department of Criminology and Criminal Justice)
• Alan Davey (Chief Executive of Arts Council England)
• plus prison governors, officers and leading arts-in-criminal-justice organisations

To book tickets and for more information about the content of the days go to the Southbank website.  Download an e-flyer here.

Tickets:
One Day Pass (for 17, 18, 19 or 20 October): £150 (£75 concessions)
Joint Pass for Thursday 17 & Friday 18 October: £280
Joint Pass for Saturday 19 & Sunday 20 October: £280
Four-Day Pass (17 – 20 October): £390
Bursaries covering up to 100% of ticket costs are available from Good Vibrations to enable people to attend who cannot otherwise afford it. Prison staff with very limited training budgets are particularly encouraged to apply for these. For more info email: info@good-vibrations.org.uk with ‘Sharing Good Vibrations Bursaries’ in the subject header and giving your name, job title, prison name/organisation and which day or days you would like to attend.

Good Vibrations case study in new book “Interventions in Criminal Justice”

A new book, “Interventions in Criminal Justice”, out shortly, has a chapter by Laura Caufield and Professor David Wilson on the role of arts in prisons.  Good Vibrations is used as a case study.  The rest of the book looks really interesting too…

“This exciting new book brings together the experiences and expertise of a range of practitioners who work within criminal justice and provides a broad and informative account of a variety of intervention techniques. From pharmacological approaches, through the treatment of various specific conditions and on to the use of poetry and art by prisoners, the book offers a series of thought-provoking chapters that will help inform the practice of anyone who works with this vulnerable population.
The book is edited by Peter Jones, a leading figure in the field of working therapeutically with offenders.

Chapter 1: 
Working with offenders with personality disorders
Michael Brookes

Chapter 2: One body, many voices: the complexity of working with a patient with
dissociative identity disorder
Lynn Greenwood

Chapter 3: The role of the arts as an intervention with offenders in prison
Laura Caulfield and David Wilson

Chapter 4: Beautiful sentence: poetry as a therapeutic intervention
Leah Thorn

Chapter 5: The potential of prison health
Lars Møller and Alex Gatherer

Chapter 6: A gender responsive approach to female sex offenders
Sherry Ashfield, Sheila Brotherston and Hilary Eldridge

Chapter 7: Drug treatment and harm reduction in prisons
Heino Stöver

Chapter 8: Suicide, attempted suicide and self-injury in prisons
David Crighton

Chapter 9: The perils and promise of multidisciplinary working
Richard Shuker

Chapter 10: Cognitive behavioural therapy
Euan Hails 

Chapter 11: Working with women who self-harm in prison settings
Julia MS Rose 

Vital information for: Probation officers, social workers, counsellors, psychologists who work within the criminal justice system.” 

Article about Good Vibrations in Music Education Research

There’s an article about Good Vibrations in the latest edition of Music Education Research.  It pulls together findings from longitudinal studies of Good Vibrations participants over the last few years, showing that participating in Good Vibrations inspires positive change in individuals.  Using an “Activity Theory” model, the article also looks at why Good Vibrations inspires this positive change.  Activity Theory is a framework for looking at personal learning and development in a social environment.   Click here to access the article.

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Photography by Toby Madden/The Independent, Osman Deen/South London Press, Camilla Panufnik, Elspeth Van Der Hole, GDA Design, Gigi Chiying Lam, G. Bland, Alan Bryden, Mark Carlin, Rachel Cherry, Francois Boutemy, Andy Hollingworth, Rebaz Yassin, and Guy Smallman.

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